For You to Read
属于您的小说阅读网站
安妮日记英文版 - MONDAY, AUGUST 9, 1943
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  MONDAY, AUGUST 9, 1943Dearest Kitty,We now continue with a typical day in the Annex. Since we've already had lunch, it's time to describe dinner.Mr. van Daan. Is served first, and takes a generous portion of whatever he likes. Usually joins in the conversation, never fails to give his opinion. Once he's spoken, his word is final. If anyone dares to suggest otherwise, Mr. van D. can put up a good fight. Oh, he can hiss like a cat. . . but I'd rather he didn't. Once you've seen it, you never want to see it again. His opinion is the best, he knows the most about everything. Granted, the man has a good head on his shoulders, but it's swelled to no small degree.Madame. Actually, the best thing would be to say nothing. Some days, especially when a foul mood is on the way, her face is hard to read. If you analyze the discussions, you realize she's not the subject, but the guilty party! A fact everyone prefers to ignore. Even so, you could call her the instigator. Stirring up trouble, now that's what Mrs. van Daan calls fun. Stirring up trouble between Mrs. Frank and Anne. Margot and Mr. Frank aren t qwte as easy.But let's return to the table. Mrs. van D. may think she doesn't always get enough, but that's not the case. The choicest potatoes, the tastiest morsel, the tenderest bit of whatever there is, that's Madame's motto. The others can all have their turn, as long as I get the best. (Exactly what she accuses Anne Frank of doing.) Her second watchword is: keep talking. As long as somebody's listening, it doesn't seem to occur to her to wonder whether they're interested. She must think that whatever Mrs. van Daan says will interest everyone.Smile coquettishly, pretend you know everything, offer everyone a piece of advice and mother them -- that's sure to make a good impression. But if you take a better look, the good impression fades. One, she's hardworking; two, cheerful; three, coquettish -- and sometimes a cute face. That's Petronella van Daan.The third diner. Says very little. Young Mr. van Daan is usually quiet and hardly makes his presence known. As far as his appetite is concerned, he's a Danaldean vessel that never gets full. Even after the most substantial meal, he can look you calmly in the eye and claim he could have eaten twice as much.Number four -- Margot. Eats like a bird and doesn't talk at all. She eats only vegetables and fruit. "Spoiled," in the opinion of the van Daans. "Too little exercise and fresh air," in ours.Beside her -- Mama. Has a hearty appetite, does her share of the talking. No one has the impression, as they do with Mrs. van Daan, that this is a housewife. What's the difference between the two? Well, Mrs. van D. does the cooking and Mother does the dishes and polishes the furniture.Numbers six and seven. I won't say much about Father and me. The former is the most modest person at the table. He always looks to see whether the others have been served first. He needs nothing for himself; the best things are for the children. He's goodness personified. Seated next to him is the Annex's little bundle of nerves.Dussel. Help yourself, keep your eyes on the food, eat and don't talk. And if you have to say something, then for goodness' sake talk about food. That doesn't lead to quarrels, just to bragging. He consumes enormous portions, and "no" is not part of his vocabulary, whether the food is good or bad.Pants that come up to his chest, a red jacket, black patent-leather slippers and horn-rimmed glasses -- that's how he looks when he's at work at the little table, always studying and never progressing. This is interrupted only by his afternoon nap, food and -- his favorite spot -- the bathroom. Three, four or five times a day there's bound to be someone waiting outside the bathroom door, hopping impatiently from one foot to another, trying to hold it in and barely managing. Does Dussel care? Not a whit. From seven-fifteen to seven-thirty, from twelve-thirty to one, from two to two-fifteen, from four to four-fifteen, from six to six-fifteen, from eleven-thirty to twelve. You can set your watch by them; these are the times for his "regular sessions." He never deviates or lets himself be swayed by the voices outside the door, begging him to open up before a disaster occurs.Number nine is not part of our Annex family, although she does share our house and table. Hep has a healthy appetite. She cleans her plate and isn't choosy. Hep's easy to please and that pleases us. She can be characterized as follows: cheerful, good-humored, kind and willing.
或许您还会喜欢:
小银和我
作者:佚名
章节:142 人气:2
摘要:——和希梅内斯的《小银和我》严文井许多年以前,在西班牙某一个小乡村里,有一头小毛驴,名叫小银。它像个小男孩,天真、好奇而又调皮。它喜欢美,甚至还会唱几支简短的咏叹调。它有自己的语言,足以充分表达它的喜悦、欢乐、沮丧或者失望。有一天,它悄悄咽了气。世界上从此缺少了它的声音,好像它从来就没有出生过一样。这件事说起来真有些叫人忧伤,因此西班牙诗人希梅内斯为它写了一百多首诗。每首都在哭泣,每首又都在微笑。 [点击阅读]
恐怖的隧道
作者:佚名
章节:8 人气:2
摘要:1金秋10月,天气分外晴朗。一辆公共汽车正在沿着关门公路向南行驶。秋田直治坐在车中最后一排的座位上,他知道车马上就要驶到关门隧道了,透过宽大明亮的车窗玻璃,他看到深秋时的天空湛蓝而高远,没有一丝浮云。往日,北九州市因为是一座工业城市,所以上空总是被浓烟笼罩着,空气污染的十分厉害。就连与它相邻的部分地区也被污染了,香川县的坂付市,远远望去,它上空墨色的污浊气体象一片拖着长尾的薄云。 [点击阅读]
悲剧的诞生
作者:佚名
章节:66 人气:2
摘要:2004年3月尼采美学文选//尼采美学文选初版译序:尼采美学概要初版译序:尼采美学概要尼采(1844-1900)是德国著名哲学家、诗人。他在美学上的成就主要不在学理的探讨,而在以美学解决人生的根本问题,提倡一种审美的人生态度。他的美学是一种广义美学,实际上是一种人生哲学。他自己曾谈到,传统的美学只是接受者的美学,而他要建立给予者即艺术家的美学。 [点击阅读]
情书
作者:佚名
章节:15 人气:2
摘要:下雪了,就在藤井先生结束致词的一刻。"就此,多谢大家的到来。我肯定,阿树泉下有知,一定会很高兴。"渡边博子参加了藤井树逝世三周年的纪念仪式。藤井树的父亲正站在墓碑前讲及他儿子生前的点滴。博子?如果阿树多留一点时间便好了。三年前的事就像在眼前。当时,她跟阿树正准备结婚。就在婚期之前,阿树参加了一个攀山探险旅程。山中,一场突如其来的风暴迫使探险队改行一条少人使用的路。 [点击阅读]
无影灯
作者:佚名
章节:28 人气:2
摘要:第一章01“今晚值班不是小桥医师吗?”做完晚上7点的测体温、查房,返回护士值班室的宇野薰一边看着墙上贴着的医师值班表一边问。“那上面写着的倒是小桥医师,可是,听说今晚换人了。”正在桌上装订住院患者病历卡片的志村伦子对阿薰的问话头也没抬地回答说。“换人了,换的是谁?”“好像是直江医师。 [点击阅读]
暗藏杀机
作者:佚名
章节:28 人气:2
摘要:一九一五年五月七日下午两点,卢西塔尼亚号客轮接连被两枚鱼雷击中,正迅速下沉。船员以最快的速度放下救生艇。妇女和儿童排队等着上救生艇。有的妇女绝望地紧紧抱住丈夫,有的孩子拼命地抓住他们的父亲,另外一些妇女把孩子紧紧搂在怀里。一位女孩独自站在一旁,她很年轻,还不到十八岁。看上去她并不害怕,她看着前方,眼神既严肃又坚定。“请原谅。”旁边一位男人的声音吓了她一跳并使她转过身来。 [点击阅读]
查太莱夫人的情人
作者:佚名
章节:27 人气:2
摘要:因为坊间出现了好几种《查太莱夫人的情人》的偷印版,所以我现在决意在法国印行这种六十法郎的廉价的大众版,我希望这一来定可满足欧洲大陆读者的要求了。但是,偷印家们——至少在美国——是猖厥的。真版的第一版书从佛罗伦斯寄到美国不到一月,在纽约业已有第一版的偷印版出卖了。这种偷印版与原版第一版,拿来卖给不存疑心的读者。 [点击阅读]
理智与情感
作者:佚名
章节:59 人气:2
摘要:【作者简介】简·奥斯汀(1775~1817)英国女小说家。生于乡村小镇斯蒂文顿,父亲是当地教区牧师。奥斯丁没有上过正规学校,在父母指导下阅读了大量文学作品。她20岁左右开始写作,共发表了6部长篇小说。1811年出版的《理智和情感》是她的处女作,随后又接连发表了《傲慢与偏见》(1813)、《曼斯菲尔德花园》(1814)和《爱玛》(1815)。 [点击阅读]
福尔赛世家三部曲1:有产业的人
作者:佚名
章节:37 人气:2
摘要:你可以回答这些奴隶是我们的。——《威尼斯商人》第一章老乔里恩家的茶会碰到福尔赛家有喜庆的事情,那些有资格去参加的人都曾看见过那种中上层人家的华妆盛服,不但看了开心,也增长见识。可是,在这些荣幸的人里面,如果哪一个具有心理分析能力的话(这种能力毫无金钱价值,因而照理不受到福尔赛家人的重视),就会看出这些场面不但只是好看,也说明一个没有被人注意到的社会问题。 [点击阅读]
荆棘鸟
作者:佚名
章节:30 人气:2
摘要:考琳·麦卡洛,生于澳大利亚新南威尔士州的惠灵顿。她曾从事过多种工作——旅游业、图书馆、教书;后来终于成了一名神经病理学家,曾就学于美国耶鲁大学。她的第一部小说是《蒂姆》,而《荆棘鸟》则构思了四年,作了大量的调查工作,方始动笔。此书一发表,作者便一举成名。作者是位多才多艺的人,喜欢摄影、音乐、绘画、服装裁剪等。她现定居于美国。 [点击阅读]