For You to Read
属于您的小说阅读网站
巴黎圣母院英文版 - BOOK FIRST CHAPTER V.QUASIMODO.
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  In the twinkling of an eye, all was ready to execute Coppenole's idea.Bourgeois, scholars and law clerks all set to work.The little chapel situated opposite the marble table was selected for the scene of the grinning match.A pane broken in the pretty rose window above the door, left free a circle of stone through which it was agreed that the competitors should thrust their heads.In order to reach it, it was only necessary to mount upon a couple of hogsheads, which had been produced from I know not where, and perched one upon the other, after a fashion.It was settled that each candidate, man or woman (for it was possible to choose a female pope), should, for the sake of leaving the impression of his grimace fresh and complete, cover his face and remain concealed in the chapel until the moment of his appearance.In less than an instant, the chapel was crowded with competitors, upon whom the door was then closed.Coppenole, from his post, ordered all, directed all, arranged all.During the uproar, the cardinal, no less abashed than Gringoire, had retired with all his suite, under the pretext of business and vespers, without the crowd which his arrival had so deeply stirred being in the least moved by his departure. Guillaume Rym was the only one who noticed his eminence's discomfiture.The attention of the populace, like the sun, pursued its revolution; having set out from one end of the hall, and halted for a space in the middle, it had now reached the other end.The marble table, the brocaded gallery had each had their day; it was now the turn of the chapel of Louis XI. Henceforth, the field was open to all folly.There was no one there now, but the Flemings and the rabble.The grimaces began.The first face which appeared at the aperture, with eyelids turned up to the reds, a mouth open like a maw, and a brow wrinkled like our hussar boots of the Empire, evoked such an inextinguishable peal of laughter that Homer would have taken all these louts for gods. Nevertheless, the grand hall was anything but Olympus, and Gringoire's poor Jupiter knew it better than any one else.A second and third grimace followed, then another and another; and the laughter and transports of delight went on increasing. There was in this spectacle, a peculiar power of intoxication and fascination, of which it would be difficult to convey to the reader of our day and our salons any idea.Let the reader picture to himself a series of visages presenting successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle.Let the reader imagine all these grotesque figures of the pont Neuf, those nightmares petrified beneath the hand of Germain pilon, assuming life and breath, and coming in turn to stare you in the face with burning eyes; all the masks of the Carnival of Venice passing in succession before your glass,--in a word, a human kaleidoscope.The orgy grew more and more Flemish.Teniers could have given but a very imperfect idea of it.Let the reader picture to himself in bacchanal form, Salvator Rosa's battle.There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin poussepain. All was universal license.The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled.The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat."Ho hé! curse it!""Just look at that face!""It's not good for anything.""Guillemette Maugerepuis, just look at that bull's muzzle; it only lacks the horns.It can't be your husband.""Another!""Belly of the pope! what sort of a grimace is that?""Hola hé! that's cheating.One must show only one's face.""That damned perrette Callebotte! she's capable of that!""Good!Good!""I'm stifling!""There's a fellow whose ears won't go through!" Etc., etc.But we must do justice to our friend Jehan.In the midst of this witches' sabbath, he was still to be seen on the top of his pillar, like the cabin-boy on the topmast.He floundered about with incredible fury.His mouth was wide open, and from it there escaped a cry which no one heard, not that it was covered by the general clamor, great as that was but because it attained, no doubt, the limit of perceptible sharp sounds, the thousand vibrations of Sauveur, or the eight thousand of Biot.As for Gringoire, the first moment of depression having passed, he had regained his composure.He had hardened himself against adversity.---"Continue!" he had said for the third time, to his comedians, speaking machines; then as he was marching with great strides in front of the marble table, a fancy seized him to go and appear in his turn at the aperture of the chapel, were it only for the pleasure of making a grimace at that ungrateful populace.--"But no, that would not be worthy of us; no, vengeance! let us combat until the end," he repeated to himself; "the power of poetry over people is great; I will bring them back.We shall see which will carry the day, grimaces or polite literature."Alas! he had been left the sole spectator of his piece. It was far worse than it had been a little while before.He no longer beheld anything but backs.I am mistaken.The big, patient man, whom he had already consulted in a critical moment, had remained with his face turned towards the stage.As for Gisquette and Liénarde, they had deserted him long ago.Gringoire was touched to the heart by the fidelity of his only spectator.He approached him and addressed him, shaking his arm slightly; for the good man was leaning on the balustrade and dozing a little."Monsieur," said Gringoire, "I thank you!""Monsieur," replied the big man with a yawn, "for what?""I see what wearies you," resumed the poet; "'tis all this noise which prevents your hearing comfortably.But be at ease! your name shall descend to posterity!Your name, if you please?""Renauld Chateau, guardian of the seals of the Chatelet of paris, at your service.""Monsieur, you are the only representive of the muses here," said Gringoire."You are too kind, sir," said the guardian of the seals at the Chatelet."You are the only one," resumed Gringoire, "who has listened to the piece decorously.What do you think of it?""He! he!" replied the fat magistrate, half aroused, "it's tolerably jolly, that's a fact."Gringoire was forced to content himself with this eulogy; for a thunder of applause, mingled with a prodigious acclamation, cut their conversation short.The pope of the Fools had been elected."Noel!Noel!Noel!"* shouted the people on all sides. That was, in fact, a marvellous grimace which was beaming at that moment through the aperture in the rose window. After all the pentagonal, hexagonal, and whimsical faces, which had succeeded each other at that hole without realizing the ideal of the grotesque which their imaginations, excited by the orgy, had constructed, nothing less was needed to win their suffrages than the sublime grimace which had just dazzled the assembly.Master Coppenole himself applauded, and Clopin Trouillefou, who had been among the competitors (and God knows what intensity of ugliness his visage could attain), confessed himself conquered: We will do the same.We shall not try to give the reader an idea of that tetrahedral nose, that horseshoe mouth; that little left eye obstructed with a red, bushy, bristling eyebrow, while the right eye disappeared entirely beneath an enormous wart; of those teeth in disarray, broken here and there, like the embattled parapet of a fortress; of that callous lip, upon which one of these teeth encroached, like the tusk of an elephant; of that forked chin; and above all, of the expression spread over the whole; of that mixture of malice, amazement, and sadness.Let the reader dream of this whole, if he can.*The ancient French hurrah.The acclamation was unanimous; people rushed towards the chapel.They made the lucky pope of the Fools come forth in triumph.But it was then that surprise and admiration attained their highest pitch; the grimace was his face.Or rather, his whole person was a grimace.A huge head, bristling with red hair; between his shoulders an enormous hump, a counterpart perceptible in front; a system of thighs and legs so strangely astray that they could touch each other only at the knees, and, viewed from the front, resembled the crescents of two scythes joined by the handles; large feet, monstrous hands; and, with all this deformity, an indescribable and redoubtable air of vigor, agility, and courage,--strange exception to the eternal rule which wills that force as well as beauty shall be the result of harmony.Such was the pope whom the fools had just chosen for themselves.One would have pronounced him a giant who had been broken and badly put together again.When this species of cyclops appeared on the threshold of the chapel, motionless, squat, and almost as broad as he was tall; squared on the base, as a great man says; with his doublet half red, half violet, sown with silver bells, and, above all, in the perfection of his ugliness, the populace recognized him on the instant, and shouted with one voice,--"'Tis Quasimodo, the bellringer! 'tis Quasimodo, the hunchback of Notre-Dame!Quasimodo, the one-eyed!Quasimodo, the bandy-legged!Noel!Noel!"It will be seen that the poor fellow had a choice of surnames."Let the women with child beware!" shouted the scholars."Or those who wish to be," resumed Joannes.The women did, in fact, hide their faces."Oh! the horrible monkey!" said one of them."As wicked as he is ugly," retorted another."He's the devil," added a third."I have the misfortune to live near Notre-Dame; I hear him prowling round the eaves by night.""With the cats.""He's always on our roofs.""He throws spells down our chimneys.""The other evening, he came and made a grimace at me through my attic window.I thought that it was a man. Such a fright as I had!""I'm sure that he goes to the witches' sabbath.Once he left a broom on my leads.""Oh! what a displeasing hunchback's face!""Oh! what an ill-favored soul!""Whew!"The men, on the contrary, were delighted and applauded. Quasimodo, the object of the tumult, still stood on the threshold of the chapel, sombre and grave, and allowed them to admire him.One scholar (Robin poussepain, I think), came and laughed in his face, and too close.Quasimodo contented himself with taking him by the girdle, and hurling him ten paces off amid the crowd; all without uttering a word.Master Coppenole, in amazement, approached him."Cross of God!Holy Father! you possess the handsomest ugliness that I have ever beheld in my life.You would deserve to be pope at Rome, as well as at paris."So saying, he placed his hand gayly on his shoulder.Quasimodo did not stir.Coppenole went on,--"You are a rogue with whom I have a fancy for carousing, were it to cost me a new dozen of twelve livres of Tours. How does it strike you?"Quasimodo made no reply."Cross of God!" said the hosier, "are you deaf?"He was, in truth, deaf.Nevertheless, he began to grow impatient with Coppenole's behavior, and suddenly turned towards him with so formidable a gnashing of teeth, that the Flemish giant recoiled, like a bull-dog before a cat.Then there was created around that strange personage, a circle of terror and respect, whose radius was at least fifteen geometrical feet.An old woman explained to Coppenole that Quasimodo was deaf."Deaf!" said the hosier, with his great Flemish laugh. "Cross of God!He's a perfect pope!""He!I recognize him," exclaimed Jehan, who had, at last, descended from his capital, in order to see Quasimodo at closer quarters, "he's the bellringer of my brother, the archdeacon. Good-day, Quasimodo!""What a devil of a man!" said Robin poussepain still all bruised with his fall."He shows himself; he's a hunchback. He walks; he's bandy-legged.He looks at you; he's one-eyed. You speak to him; he's deaf.And what does this polyphemus do with his tongue?""He speaks when he chooses," said the old woman; "he became deaf through ringing the bells.He is not dumb.""That he lacks," remarks Jehan."And he has one eye too many," added Robin poussepain."Not at all," said Jehan wisely."A one-eyed man is far less complete than a blind man.He knows what he lacks."In the meantime, all the beggars, all the lackeys, all the cutpurses, joined with the scholars, had gone in procession to seek, in the cupboard of the law clerks' company, the cardboard tiara, and the derisive robe of the pope of the Fools.Quasimodo allowed them to array him in them without wincing, and with a sort of proud docility.Then they made him seat himself on a motley litter.Twelve officers of the fraternity of fools raised him on their shoulders; and a sort of bitter and disdainful joy lighted up the morose face of the cyclops, when he beheld beneath his deformed feet all those heads of handsome, straight, well-made men.Then the ragged and howling procession set out on its march, according to custom, around the inner galleries of the Courts, before making the circuit of the streets and squares.
或许您还会喜欢:
元旦
作者:佚名
章节:7 人气:2
摘要:“她过去很坏……一向如此,他们常常在第五大道旅馆见面。”我母亲这么说,好像那一越轨的情景增加了她所提起的那对男女的罪过。她斜挎着眼镜,看着手里的编织活,声音厚重得嘶嘶作响,好像要烤焦她毫不倦怠的手指间编织的雪白童毯一样。(我母亲是一个典型的乐善好施的人,然而说出的话却尖酸刻薄,一点也不慈善。 [点击阅读]
其他诗集
作者:佚名
章节:8 人气:2
摘要:[印]戈斯这一时期②,诗人一开始便尝试一种新的样式——散文诗。虽然泰戈尔的大部分翻译作品都采用了散文诗这种形式,然而这些作品的孟加拉文原著,显然都是些出色的韵文。那么,诗人到底为什么动手写起了散文诗呢?人们自然会以为,采用散文诗写作与“散文”③《吉檀迦利》的成功(指英译本)有关,诗人自己也赞同这种观点(《再次集》导言)。 [点击阅读]
刺猬的优雅
作者:佚名
章节:18 人气:2
摘要:马克思(开场白)1.播种欲望的人马克思彻底改变了我的世界观,平时从不跟我讲话的小帕利埃今天早上如此向我宣布。安托万帕利埃,这个古老工业家族的继承者,他的父亲是我八个雇主之一。他是资产阶级大财团打的最后的饱嗝——特别而毫无杂质——此时,他正为自己的发现而洋洋得意,条件反射似的向我阐述起他的大道理,甚至没有考虑到我是否能听得懂, [点击阅读]
千只鹤
作者:佚名
章节:21 人气:2
摘要:菊治踏入镰仓圆觉寺院内,对于是否去参加茶会还在踌躇不决。时间已经晚了。“栗本近子之会”每次在圆觉寺深院的茶室里举办茶会的时候,菊治照例收到请帖,可是自从父亲辞世后,他一次也不曾去过。因为他觉得给她发请帖,只不过是一种顾及亡父情面的礼节而已,实在不屑一顾。然而,这回的请帖上却附加了一句:切盼莅临,见见我的一个女弟子。读了请帖,菊治想起了近子的那块痣。菊治记得大概是八九岁的时候吧。 [点击阅读]
司汤达中短篇小说集
作者:佚名
章节:11 人气:2
摘要:我出生在罗马一个显贵门第。我三岁时,父亲不幸去世、母亲尚年轻,立意改嫁,托一个无子女叔父照管我的学习。他高兴地、甚至是迫不及待地收留了我,因为他想利用他的监护人身份,决定把他收养的孤儿,培育成一个忠于神甫的信徒。对于狄法洛将军的历史,知道的人太多了,这里就用不着我赘述。将军死后,神甫们看到法国军队威胁着这个宗教之国,便开始放出风,说有人看到基督和圣母木头塑像睁开了眼睛。 [点击阅读]
园丁集
作者:佚名
章节:9 人气:2
摘要:1仆人请对您的仆人开恩吧,我的女王!女王集会已经开过,我的仆人们都走了。你为什么来得这么晚呢?仆人您同别人谈过以后,就是我的时间了。我来问有什么剩余的工作,好让您的最末一个仆人去做。女王在这么晚的时间你还想做什么呢?仆人让我做您花园里的园丁吧。女王这是什么傻想头呢?仆人我要搁下别的工作。我把我的剑矛扔在尘土里。不要差遣我去遥远的宫廷;不要命令我做新的征讨。只求您让我做花园里的园丁。 [点击阅读]
在路上
作者:佚名
章节:6 人气:2
摘要:1第一次遇到狄恩是在我与妻子分手后不久。那时我刚刚生了一场大病,对此我不想再提及了。不过它的确与那次令人烦恼、充满灾难性的离婚有关,当时我似乎觉得一切情感都已经死了。自从狄恩·莫里亚蒂闯入我的世界,你便可以称我的生活是“在路上”。在这之前,我也曾不止一次地梦想着要去西部,但只是在虚无缥缈地计划着,从没有付诸行动。狄恩这家伙是个最理想的旅伴,他就是在路上出生的。 [点击阅读]
在黑暗中蠕动
作者:佚名
章节:11 人气:2
摘要:已是十多年前的事了。具体的年代已经忘记。就连是从哪里来,到何处去的旅程也已想不起来。那时我刚过二十,每天在颓废中生活,当时怀疑人生的态度与刚体会到的游戏感受莫名地交织在一起。也许正因为如此,那时的记忆也就更加模糊不清了。那是艘两三百吨,包着铁皮的小木船。我横躺在二等船舱中。这是位于船尾,依照船体呈环状的铺有榻榻米的房间。 [点击阅读]
夜城8·非自然询问报
作者:佚名
章节:11 人气:2
摘要:在夜城,黑夜永无止尽。这里是隐身于伦敦的黑暗魔法之心,美梦以各种型态现世,诱惑与救赎永远都在特卖。你可以在夜城中找到任何事物,只要对方没有抢先找上门来。火热的霓虹,深邃的黑暗,信用卡难以支付的罪恶,狂放的夜店,疯狂的音乐。换上你的舞鞋,舞动到血流如注为止。夜晚持续不断,欢乐永不止歇。随时都会有人手中握着印有你的名字的子弹。我名叫约翰·泰勒,是一名迷失灵魂、在诅咒之地寻求救赎的私家侦探。 [点击阅读]
夜城外传·影子瀑布
作者:佚名
章节:13 人气:2
摘要:世界上存在着一座梦想前去等待死亡的城镇。一个恶梦得以结束,希望终得安歇的所在。所有故事找到结局,所有冒险迎向终点,所有迷失的灵魂都能迈入最后归宿的地方。从古至今,世界上一直存在着许多这样的地方,散落在世界各地的黑暗角落。然而随着时间的推移、科学的发展、魔法的消逝,大部分的奇景都已不复见,而这类隐藏的角落也随之凋零。 [点击阅读]